Miriam Schapiro Interview, 1959 oil on canvas,
59 1/2h x 54w in
Ahead of her time.
In 1967, Schapiro moved to California where she became a lecturer at University of California San Diego. Here, she was exposed to a scientific community at the university and cool West Coast formalism. Inspired by her coastal, sun-soaked landscape, Schapiro transformed the bright colors, seascapes, and modern architecture of Southern California into monumental hard-edge paintings. Connecting with computer physicists, Schapiro commissioned a custom program that allowed her to transform her hand-drawn shapes through digital manipulation into new distortions, which she then painted.
For Women by Women
Womanhouse (January 30 – February 28, 1972) Artists chose a dilapidated house in LA destined for demolition and took it over for the installation. Twenty-one women each chose one room to take over for her individual work. The feminist art installation and performance space was organized by Judy Chicago and Miriam Schapiro, co-founders of the California Institute of the Arts (CalArts) Feminist Art Program, and was the first public exhibition of art centered upon female empowerment. Chicago, Schapiro, their students, and women artists from the local community, including Faith Wilding, participated. Chicago and Schapiro encouraged their students to use consciousness-raising techniques to generate the content of the exhibition. Together, the students and professors worked to build an environment where women's conventional social roles could be shown, exaggerated, and subverted.
Only women were allowed to view the exhibition on its first day, after which the exhibition was open to all viewers. During the exhibition's duration, it received approximately 10,000 visitors.
I would have loved to be part of this.
Some of the artful rooms. This is actually a doll house. Miriam Schapiro and Sherry Brody, 1972, via Smithsonian American Art Museum
Nurturant Kitchen in Womanhouse by Susan Frazier, Vicki Hodgetts, and Robin Weltsch, 1972, via judychicago.com

Miriam Schapiro, Mechano/Flower Fan, 1979; Acrylic and fabric
collage on paper, 30 x 44 in.; National Museum of Women in the Arts,
Gift of MaryRoss Taylor in honor of her mother, Betty S. Abbott; © 2023
Estate of Miriam Schapiro/Artists Rights Society, New York
Nicole


















































