Hi Everyone!
Today I would like to introduce Tracey Levandoski a wonderful bead artists that honors me by using my Nicole's BeadBacking for the foundation of her beautiful beading.
My name is
Tracey Levandoski. I live in Valparaiso, Indiana, with my husband of 30+ years,
Jeffrey, and my dog of 14+ years, Bo. I work as a regulatory compliance
auditor/consultant for the financial services industry – mostly banks, mortgage
companies, and fintech lenders. I only do that to pay the bills though. That’s
my professional photo.
My preferred
method of spending time is beading. That’s (the real, unpolished) me trying to
capture a photo of the collar that I finally finished in March 2017 after
working on it sporadically for about two years. I never did get a good picture
of it. It’s loosely based on Sherri Serafini’s Nicole Beaded Collar pattern,
and it’s beaded on Nicole’s Bead Backing.
Like most
beaders, I started crafting at a very young age – making potholders with the
little square loom and those stretchy loops, knitting long tubes with the
little knitting spool tool. I even remember learning how to make paper beads in
bible school one summer. My paternal grandmother taught me to shuttle tat when
I was around 8 years old, and my maternal grandmother taught me to crochet lace
edging on pillowcases with a steel crochet hook at around the same time. Both
grandmothers had giant quilt frames set up in their living rooms (you know –
those big wooden contraptions that took up the whole room?), and everyone in
the family (even my dad and uncles) worked on quilting those quilts while
watching football on Sunday afternoons. My mom taught me to embroider on
pillowcases (for the crocheted edgings, of course). Somewhere along the line, I
taught myself to knit. When I was about 18, I happened upon counted cross
stitch, and that became my craft of choice for the next 13 or so years. If you
know anything about counted cross stitch, you know that a lot of pattern
designers incorporate Mill Hill seed beads into their designs, and I have
accumulated thousands of those beads!
I think it
was sometime in 2005 that I ran across Bead and Button magazine while perusing
the shelves of my local bookstore. As I flipped through it, all I could think
was – wow, something else to do with all those beads – so I bought the
magazine. I tried out all the bead stitches using my collection of Mill Hills:
peyote, brick, right angle weave, herringbone. I was immediately hooked. I
jumped in with both feet. Even though I was not very adept yet, I decided to
take Laura McCabe’s three-day workshop at the Bead and Button show. I can’t
remember if that was 2006 or 2007, but the project was her Infinity necklace.
It was a lot of peyote geometric shapes and spiral rope with cylinder beads,
bicones, and chaton stones, none of which I had prior experience using. I was
in way over my head, but I think I eventually did all right. I still love the
click of the cylinder beads in a geometric peyote pattern or bezel. Here is my
finished Infinity necklace, designed by Laura McCabe and beaded by me.
Over the
years, I took several more classes at the Bead and Button show, but they were
all bead weaving. I started noticing bead embroidery projects a few years later
and was curious about a class advertised at Funky Hannah’s in Racine, Wisconsin
– Sherry Serafini was going to teach her Rockin’ Wavy Cuff, so I signed up. I
should also back up and say that I purchased Jamie Cloud Eakin’s Beading
with Cabochons book when it first came out in 2005. It was the first
beading book I purchased before I even knew what beading really was. I knew
nothing about bead embroidery at the time, but that book eventually found its
place in my heart. After Sherry’s class and armed with Jamie’s book, I have
been hooked on bead embroidery ever since. Here is my Rockin’ Wavy Cuff,
designed by Sherry Serafini and beaded by me.
After
Sherry’s Rockin’ Wavy Cuff class, I have taken many more of her classes, and I
always learn something new to incorporate into my own designs. One of my
favorite of her classes was titled Monster Bags, I think – don’t quote me on
that. It was not a structured project with an expected outcome; instead Sherry
gave us the initial idea which was to create a small handbag from the template
she provided and using the purse frame she provided. From there, it was pretty
much up to the students. Here is my finished product from that class.
In addition
to learning TONS from Sherry, I have purchased many bead embroidery kits over
the years from Ann Benson/Beads East and have learned a lot from those also –
including incorporating sequins into my designs. One of my favorite Beads East
kits has been this purse – I think it’s suitable for a wedding:
In 2015, on
a fluke, I decided to participate in a bead challenge offered by Mandy Bugatti
of Bead Circle. Mandy provided an assortment of beads, and the theme was
‘Fierce.’ Here is my entry:
It’s weird
and completely out of my wheelhouse, but it was a challenge, so I went with it.
If you want to read more about the challenge and my entry, here’s the link:
I don’t
remember when or how I learned of Nicole’s Bead Backing, but I have bought a
lot of it over the years. I think I have a lifetime supply in my stash right
now. My first purchase from Nicole’s shop was some NBB and the blue lace agate stone
that I used in this bracelet:
This
is necklace I stitched from another stone set that I bought from Nicole on Nicole's BeadBacking
As
I’ve become more skilled with my embroidery art, my beading friends have asked
me to teach them. I created the following designs which I have taught to my
bead group.
While
visiting my local quilting shop last year, the ladies working there were taken
with my jewelry – I don’t even remember what I was wearing that day now! But
they asked to see more of my work. I brought back a box of stuff to show them,
and they asked me to teach a class to their quilting group. This is the design
I created for them – it is a simple piece of filigree with not a lot of beading
and something that could be completed in an afternoon by someone with no beading
knowledge
It was a big
hit. They have asked me to come back and teach them my scissors case design
shown above.
I almost always
bead on NBB because I can match the color to my project, and it holds up very well
to the punishment I give it as I wrangle my beads into place. Here are some
other projects that I have created in the past year or so. I do a lot of
playing and almost never have a finished piece in mind when I start. I have a
basic idea but just freeform and see where it goes. Sometimes I like it;
sometimes I don’t.
Here is
another scissor case I designed. I call it ‘Starry Night’ because of the effect
of the purple and crystal seed beads I used in the three-bead picots that cover
most of the surface. The focal on the front is the focal component from the
Deco Darling bracelet pattern by Laura McCabe.
This is just
one of those balsa wood boxes you can buy at a craft store – covered in beads
of course. I call it ‘Sherbet’ because it looks good enough to eat.
This is a
project from a retreat I attended in San Diego with Jody Young and Betty Cox in
2016. It was a lot of fun. This is called ‘Shell Upon a Shell’ designed by Jody
using her raised texture technique and beaded be me. (That’s my husband’s hand!
😊)
This is a
piece I created using Jody’s raised texture technique. My husband found this
huge piece of rose quartz in our yard when he was doing some landscaping, and I
thought it would be perfect to showcase a beaded piece. It’s beaded on pink NBB
(of course) and glued on to the quartz with E6000.
I had the
basic ‘dripping’ heart shape in mind but not much else when I started this
piece. It includes fish leather, shibori silk, sequins, crystals, and feathers
– a true multi-media piece.
And finally,
my favorite piece (so far) that I just completed in
August 2018. I was inspired by Apollinariya Koprivnik and Teresa Gorecki to
make this piece using purple flower jasper and a druzy I bought while in
Sacramento working at a client for my ‘real’ job. I always try to find time to
bead and/or shop for beads even while traveling for work.
Thank you to
Nicole for showcasing my work, and thank you to you for taking the time to
look!
Nicole/DVArtist
Honor and Integrity in Art in Life
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